Seeing Miró

Since we no longer have our subscription to Danish television by satellite here in Spain, we have been enjoying watching whatever we can get by finding individual programs on the Internet and then projecting them onto the TV screen via Apple TV. We can still watch our favorite cooking, real estate, and antiques shopping programs from Denmark; we just see them a day after they are broadcast. But we can usually get the half-hour evening news, broadcast at 6:30, if we wait to start it until 7:30. That matches my evening cooking schedule a lot better than the 6:30 hour used tom anywy.

Lately we have started to watch the PBS Newshour from the U.S. Due to time differences, we don't watch the evening news program until the following morning, but it makes for a good thing to do while we pedal along on the exercise bicycle. This week I pedaled extra long while I watched a segment on Joan Miró, the Spanish artist, who was born in Barcelona in 1893 and who died on the island of Mallorca in 1983.

Miró is currently the subject of a spectacular exhibition at the Seattle Art Museum that features abstract painting and sculpture that he completed while in his 70s and 80s. He used vibrant colors and metamorphosed found objects to create works that show a very unique way of looking at the world.

I had heard of Miró before this program but somehow I had escaped the irony, or poetic justice, of his name. Mirar is the Spanish verb for "to look" and miró is the past tense (pretérito, to be precise) meaning that "he looked." He certainly did, and he continued looking and observing and creating until he was 90, leaving a legacy of interesting and fantastic works of art.

The works in Seattle are on loan from the Reina Sofía museum in Madrid and have never been seen in the U.S. before. They are going on to North Carolina, to the Nasher Museum at Duke University, from September through next February, where the exhibit is entitled, appropriately, The Experience of Seeing.