Songs for the 60s

Torrevieja String Ensemble Playing The Beatles ©2013 Johannes Bjorner

Friday was a nice, warm, and sunny day and it was still fairly warm when we left at 5:30 in the afternoon, bound for downtown Torrevieja with three good friends for a round of tapas before going on to a concert at the Palacio de la Música. I had been looking forward to this event ever since I first heard about it on January 6 at another musical performance at the new International Conservatory auditorium of Torrevieja. This was billed as a concert with a string ensemble playing songs of The Beatles and Simon & Garfunkel. Just the nostalgia trip back to the '60s that I would need in March, as I approached a 60s-something birthday, I had thought then.

We had not been to this concert hall before, and though we found an imposing structure, the auditorium for this concert was surprisingly intimate, seating only 240, and perfect for chamber music such as this. We were in the fourth or fifth row on the main floor and we could see and hear everything, including the expressions on the faces of the musicians.

The string ensemble turned out to be a quintet, with four violins (they were all the same size from my vantage point) and a cello. The concertmaster surprised us all by greeting us, first in Spanish and then in English, saying that the five people on stage were to be playing, but we in the audience were supposed to do the singing. We were, of course, a mixed group of British and Germans and Scandinavians and other northern Europeans, in addition to some Spaniards, and we never really broke out in chorus, but I heard a lot of humming.

One thing I had forgotten about musical performances in Spain, or at least in Torrevieja, is that there are no ushers and, perhaps as a consequence, programs are not distributed. We didn't actually find the printed program until we were leaving the palacio after the concert. There it was, on a table beside the door! During the concert we just listened as each song began and even I was able to identify most tunes before we were in to the second or third measure. Here is the program information that we didn't find until later, reprinted verbatim:

I PARTE

If I Fell . . . . . . . . . . Lennon-McCartney

Bridge Over Troubled Water . . . . . . . . . . . Simon & Garfunquel

Lady Madonna . . . . . . . . . . Lennon-McCartney

Hey Jude . . . . . . . . . . Lennon-McCartney

Let It Be . . . . . . . . . . Lennon-McCartney

Killing Me Softly With His Song . . . . . . . . . . Simon & Garfunquel

Yesterday . . . . . . . . . . Lennon-McCartney

Get Back . . . . . . . . . . Lennon-McCartney

II PARTE

And I Loved Her . . . . . . . . . . Lennon-McCartney

Eight Days a Week . . . . . . . . . . Lennon-McCartney

Michelle . . . . . . . . . . Lennon-McCartney

When I'm Sixty Four . . . . . . . . . . Lennon-McCartney

I Feel Fine . . . . . . . . . . Lennon-McCartney

A Hard Day's Night . . . . . . . . . . Lennon-McCartney

Yellow Submarine . . . . . . . . . . Lennon-McCartney

I had been surprised, when I heard the opening bars of "Killing Me Softly," that it was included in this group, but Johannes and I have a special relationship with this song from years past. At one time he worked at a small company in Massachusetts, where he was responsible for developing circuitry to improve sound quality on a recording device (this was pre-digital recording). "Killing Me Softly" was the test song that had been recorded to use as a quality standard, and its strains were heard several times a day by Johannes and the other personnel in the lab for more than a few months, until everyone wanted to kill the project. And then I heard the story of the trials with this appropriate song for many more years. So when "Killing Me Softly" was played at this concert in Torrevieja it surprised me, but it only added to the nostalgia of the evening. Mind you, this morning I spent an hour or so scouring the Internet to find some relationship between Simon & Garfunkel and "Killing Me Softly With His Song," and I have found none, though I did learn, from several sources besides this one at Wikipedia, that its origins are "disputed."

Whether you were or are a Beatles fan or not, another dimension is added when you hear it from strings and see the pleasure on the faces of a group of musicians as they go through the movements to elicit the sounds. The concertmaster said that this performance was something the group wanted to give the "English community," by which I understand him to mean the multinational immigrant peoples that make up about half of the Torrevieja area population, most of whom are old enough to remember the sounds of the '60s as a part of their youth, many of whom may have learned English from the music, and more than a few of whom have already answered the "When I'm Sixty-Four" question in the affirmative.

It was a lovely evening.