All Eyes on Center

Saturday evening we went to our second concert of the weekend; this one was at Torrevieja's new Auditorio Conservatorio Internacional, where we had been only once before, to an inaugural concert in January. In true Spanish style, this concert started at 9:00 PM, and I was a little worried about falling asleep at that hour with a "heavy" program of Mozart's Symphony no. 25 in G Minor, K. 183, and the Requiem, K. 626.

I needn't have worried. Symphony no. 25 is the one played at the beginning scenes of the film Amadeus and is quite lively. You wouldn't expect a Requiem to be lively, but the twelve movements provided more variation than I had expected, and the 75-member chorus plus soloists all combined (with the 50-member orchestra) to keep me not only awake but interested. I am learning, too, that it is always entertaining to watch this young but accomplished orchestra directed by José F. Sánchez in the gorgeous and glorious auditorium of the conservatory.

The conservatory itself is brand new and from all appearances no expense was spared in its decoration, except for whatever it would have cost to put up directional signs.With no ushers to direct you, it is really difficult to find your seat, so we planned on arriving 45 minutes early for the hunt. Although we had been there once before, we did not have seats in the same section this time, but I thought that I remembered that when finding our previous D section on the second floor that we had seen the F section nearby.

No ushers, but the ticket-taker at the door did tell us to go to the second floor, on the right-hand side. We had previously been on the left. Oh well, we went up and found our places, Section F, Row 8, seats 24 and 26, without much trouble. Other people were not so lucky, and up until the lights dimmed there were people milling around looking for 14 and 3 and all sorts of other numbers. We thought we had figured out that the even numbers were on the right of the row and the odd numbers were on the left.

We were correct, but what I had failed to notice was the corollary of that rule. If we were sitting on the aisle in seats numbered 24 and 26, and the odd numbers were toward the left, how far left were they? On the opposite aisle, it turns out, for there was no center aisle. And where does that leave seats numbered 1 and 2? In the center of the row, that's where. You can see it on the plan that I have now found, but which I had not located last night. Keep your eyes on the center of the rows to find 1 and 2. Except on the shorter rows, of course, where there are no seats 1 and 2.